Let me start the day off with this statement. I'm pretty sure I've figured out the country's obesity crisis. It's people shopping while hungry. Or maybe you fatsos should exercise more. Either way.
"A beard is no substitute for a jawline, no matter how you trim it." Adult Swim is a pretty well known brand in the world of cartoons for the adult (surprising, I know) consumer. But while I've discussed this show before, I still find that there are a lot of people out there who aren't aware of the glory that is 'The Venture Brothers'.
Now in the early stages of the fourth season, 'The Venture Bros' was conceived and created by Jackson Publick, aka Christopher McCulloch, one of the main writers on 'The Tick' animated series. Originally to be a comic book, he decided to instead do it as an animated series after realizing he had a larger story to tell. The show was picked up in 2002 and began airing the first season in 2004.
Alright, now that we've got the boring stuff out of the way, why is this show so great? Simply put, it's a show for everyone who grew up in the 80's and 90's. Dr. Venture, a pill-popping scientist with two moronic sons and a hulking be-mulleted bodyguard directly recalls Dr. Quest from the old 'Jonny Quest' tv show (and the stupid relaunch). The Monarch, a butterfly-themed super-villain traveling in a flying cocoon is a Bond bad guy crossed with the Batman rogues' gallery. The show throws in the pop-culture left and right, including David Bowie in a significant role, the Scooby gang re-imagined as famous serial killers and victims, and a GI Joe-esque montage that gets really over the top, really quickly.
So if this show is as awesome as I say it is, why isn't it more popular? A couple of reasons, I think. The time slot, 12 am on a Sunday is pretty much shit for anyone outside the college set. Yes, I manage to stay up and watch it, but I crash immediately after, having to work the next day. I think the biggest factor is, oddly enough, the humor. People aren't smart. I hate to say that, but a large portion of the population can't wrap their head around anything more sophisticated than a 'Family Guy' joke, where you're given the set-up, and then the punchline is handed to you through imagery. A show like 'The Venture Brothers', where the referential material flies fast and furious without even a second to explain it is going to get lost on some people. When Edgar Allen Poe says that a sacred object is hidden under his floorboards, I snorted with laughter, seeing a quick "Telltale Heart" joke, while the person next to me just looked confused. A brilliant Exodus 21:24 joke in the last episode flew right over my head, a more Biblically educated friend pointing it out to me. So while the show is enjoyable for everyone, it's sort of the same situation 'Futurama' found itself in, except that instead of the science nerd, the hipster pop-culture (excuse me, Soda Culture) geek is going to find himself king of the couch with this show.
"Technologies. That's gangstas with computers, y'all."I'm not embarrassed to admit that I dig rap. I have a few friends who hate the entire genre based on some preconceived notions about the way it presents itself. There are others I've met who think that every rapper who does some moronic thing is God himself, and there's of course no way he actually did the stupid shit there are six witnesses to.
I fall somewhere in the middle.
I hate to say it, but I'm a bit of a hipster, even in my rap choices. I listen to a lot of indie stuff: Aesop Rock, Sage Francis, Atmosphere, El-P, Doom, De La Soul...kind of the who's who of semi-underground, lyrically intelligent rap artists. Also in the play rotation are the precursors: Run-DMC, the Beastie Boys...the things you listened to as a kid that your parents and Tipper Gore didn't want you to. This probably makes me pretentious. Hopefully, this next bit will fix that.
Ever listen to Nerdcore?
The genre came out of the uterus back in 2000, birthed by balding father-figure
MC Frontalot and his self-publish, DIY ethic. The songs tend to deal with nerdy (durr) topics, ranging from computer games to DNA, the nineties ska scene to unrequited love for goth girls. Since he first came up with the term, many other rappers have defined themselves as such.
My personal favorite is probably
MC Lars. A graduate of Stanford's English program, his nerdy references walk happily hand in hand with classical literature. In fact, he's adapted several classics into ridiculously catchy rap tunes, including
Moby Dick,
The Raven, and
Hamlet. Self-reference being a large part of nerdcore, Lars also writes about Guitar Hero derangement syndrome (the idea that being good at Guitar-Hero means you are somehow a musical genius), the cliched hipsters of Williamsburg, and the oft-ridiculous green movement. However, he also can write a damn good serious rap-tune, teaming up with nerd MCs
YTCracker,
K.Flay and the
Former Fat Boys for a defense of the genre on one of the best tracks off his most recent
album, 'We have Arrived'.
While some say Nerdcore is dead, I think the genre is not only going to hang on, but evolve. Artists like
Jonathan Coulton, while not nerdcore, are making it cool to be a Nerd again in a way it hasn't been since Peter Parker had a clone. And I know there are a lot of us out there. Playing
Munchkin with friends two weeks in a row is proof of that.
So sit up. Get out your synth. Sing a song about LISP and Visual Basic. And kick it.